Auto-Tune 8
The Pitch Depends on the frequency of the sound. For instance, E-3 has a frequency of 165 Hz, and F3 has a frequency of 175 Hz. Now, When a singer hits a frequency of 168 Hz, Autotune will identify the. Version 8 of the Antares AutoTune 8 Mac torrent plugin can correct a singer’s bad notes and wavering pitch. Antares Auto-Tune v8 is a popular and functional plug-in tool for creating tunics on the vocals that performs their work automatically, you can easily switch off And turning the keys on to the range of the notebook. Auto-Tune Pro also includes our Flex-Tune technology, which preserves a singer’s expressive gestures while still bringing them perfectly in tune, a Humanize function for more natural and transparent correction of sustained notes, and a Low Latency mode so you can monitor your track through Auto-Tune in real-time, without any disorienting delay.
Building on 20 years as the overwhelming choice of professional musicians, producers and engineers, Auto-Tune 8 is the new generation of genuine Auto-Tune pitch and time correction.
New in Auto-Tune 8 is Antares’ revolutionary new Flex-Tune real-time pitch correction technology. While providing the seamless, natural pitch correction and audio quality that Auto-Tune is known for, Flex-Tune correction gives singers unmatched freedom to exercise their vocal creativity.
In addition to the option of Flex-Tune, Auto-Tune 8 features a new Low Latency Mode for use during tracking or for live performance, along with a variety of workflow enhancements designed to let you address your pitch and time correction tasks with a maximum of creativity and a minimum of frustration.
COMPARE AUTO-TUNE VERSIONS
Wondering what the differences are? Click here to compare the key features of Auto-Tune EFX 3, Auto-Tune Live and Auto-Tune 8.
Fl Studio Autotune Vst
Auto-Tune 8 Automatic Mode (click for full size)
Auto-Tune 8 Graphical Mode (click for full size)
Fl Studio Autotune Evo Vst
Press and Reviews
Fl Studio Autotune Evo
The New Yorker examines Auto-Tune's dramatic impact on the music industry in an article by pop-music critic Sasha Frere-Jones.
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